We went to see this at the Festival Theatre in Edinburgh on Wednesday. We had a chance to see a filmcast of the ROH one before Christmas but we decided against it, I think on the grounds that we were a bit 'Nutcrackered Out'. Odd for me tbh but that's how I felt and we went to see the Cinderella instead.
However when I saw this advertised on a marketing e-mail from the Festival Theatre I thought it might be fun and a great antidote to February gloom, so after a bit of humming and haaaing I booked it. I should not have hummed and haaed for as long as I did (all of two days iirc) because by the time I went to book it there were very few seats left. I suppose that's not really surprising as there were only four performances. Anyway I booked some upper circle seats which were about all that there was left and on Wednesday we got up quite early and got the train to Edinburgh. We wanted to visit a hobby/model shop which was recommended to us by the OH's brother when he was with us recently. A railway modeller's dream I should say and they had a few bits and pieces of doll's house furniture so I splashed out on a kitchen table and chairs for mine, and the OH looked longingly at a very small gauge train set which he didn't buy and which I have been trying to persuade him to purchase, or rather let me purchase for him, ever since. Then it was back to the centre of the city and the ballet.
Can I just say that the seats we had were not what I would describe as Upper Circle? They were what, in any other theatre, would be described as Balcony seats, or even, for those theatres that have one, Upper Balcony, with all that that entails, mainly climbing stairs for what seems like forever and emerging into a space that is not at all suitable for people with a tendency to vertigo i.e. me. Apparently developing vertigo is quite common in post menopausal women. Who knew? Well not me until recently. Vertigo, constantly itchy skin and thinning hair, what joy. But I digress.
I was not a particularly happy bunny by the time we had mountaineered our way to our seats and so was inclined to not enjoy Act 1 of the ballet which was not nearly as colourful or energetic or generally 'Cuban' as I had anticipate to be honest. And I was inclined to think the Cuban bits gimmicky and cliche'd. However my equilibrium was somewhat restored by the interval and I enjoyed Act 2 very much. Perhaps it was the unavailing attempt of the man in the seat next to us to purchase an interval ice cream that perked me up: he found a seller, queued up and then discovered that they only took card payments and he only had cash on him. I shouldn't have let that cheer me up, goodness knows I had the same experience at the TheatrerRoyal once when I discovered you could no loner pay for programs by cash and therefore didn't bother to get one. A practice we have continued ever since when we are familiar with the opera we are about to see. I did however buy a souvenir program for Nutcracker in Havana since it was the Carlos Acosta company and so a Special Occasion. I did have to think twice though as it was £10 which struck me as ludicrous. At least it did until I heard from a friend who had been to see the Anniversary Tour of Dead Ringers recently and who told me programs there were twice that much!
The one good thing about our seats was that the balcony has such a steep rake that the sight lines are excellent. I couldn't take pictures during the performance naturally but I did get a few at the curtain call; this is the best one
The light is always rubbish for these things.
We are due back at the Festival Theatre shortly for A Christmas Carol Goes Wrong and I was filled with foreboding lest we had seats once more in the misnamed Upper Circle. Having checked I was relieved to find that we are actually in the stalls for that - this still means one flight of stairs for some reason but I can manage that!














